1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.  Related Paintings of Jan Van Eyck :. | Die Muttergottes in der Kirche | Giovanni Arnolfini and His wife Giovanna Cenami (mk08) | Portrait of a Man | Details of The Virgin of Chancellor Rolin (mk45) | The Ghent Altarpiece |
Related Artists:
Pieter Lodewyk Kuhnen
painted Romantic Rhine landscape with ruin at sunset in 19th century
John Evan Hodgson
painted The french naturalist in Algiers 1879
Gian Lorenzo Bernini
Italian sculptor , b. 1598, Napoli, d. 1680, Roma ,Italian architect and artist credited with creating the Baroque style of sculpture. He began his career working for his father, a sculptor. Among his early sculptures are Apollo and Daphne (1622 -C 24) and an active David (1623 -C 24). Under the patronage of Urban VIII, the first of eight popes he was to serve, he created the baldachin over the tomb of St. Peter in Rome. Bernini's architectural duties increased after 1629, when he was appointed architect of St. Peter's Basilica and the Palazzo Barberini. His works often represent a fusion of architecture and sculpture, as in the Cornaro Chapel, in Santa Maria della Vittoria, Rome, with its celebrated theatrical sculpture, The Ecstasy of St. Teresa (1645 C 52). His greatest architectural achievement is the colonnade enclosing the piazza before St. Peter's.